Touchosc martin mpc
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- #Touchosc martin mpc full#
- #Touchosc martin mpc software#
- #Touchosc martin mpc Pc#
- #Touchosc martin mpc professional#
When you’re talking to somebody about what type of console or hardware to get for themselves, how would you advise them on what they need? At the end of the day your console doesn’t have to be massive to work well. David: I think that’s important to highlight too actually. Having a touch screen makes everything amazing. With Windows you can get a touch screen on a computer really easily which is great.
#Touchosc martin mpc professional#
You don’t have to be fully in the professional console realm or fully in the clicking and dragging with a mouse realm. David: That highlights a very interesting point too.
#Touchosc martin mpc Pc#
The last thing I’d add is that with a PC based setup you have the ability to expand your rig at your own pace and budget.
![touchosc martin mpc touchosc martin mpc](https://i.ytimg.com/vi/PmXGlPztESk/maxresdefault.jpg)
I invested in a great visualizer that I use all the time and I’m able to walk into a venue and plug in my DMX lines and everything fires up accordingly. I also love a PC based setup because I can do most if not all of the prep work at my house before the show.
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It was one of the cheaper options, it was one of the best options I found. It gives me all the control I need as far as faders, the playback buttons are great, you can assign anything you want on them. My main for a 500 capacity club with a band I’ll bring my Windows based PC and I have two endplays.
#Touchosc martin mpc software#
It was the easiest introduction into an affordable professional lighting software that I could download right to my computer. Troy: Sure! Right now I’ve been a fan of the ONYX software. Tell us a little about your rig that you use most often and what some of the options are in the middle.
#Touchosc martin mpc full#
There’s a whole blend of things between the full fledged lighting console and just a tablet. So, if you’re looking at doing something for a small venue I always recommend, go fully wireless if you want but it’s always good to have some sort of a back up plan. David: I think that brings an excellent point there, because all but for the simplest needs a tablet will leave something to be desired. Once there’s more movement involved and you want to have a little more faders, more buttons, more knobs at your disposal once you start to navigate towards doing more live shows that might be the time. I’ve found with the tablets when it comes to concerts and those types of things, it starts to get a little tough. Some people like to run things just off tablets, and that’s totally doable, but at what point should people go with a physical console and have faders? Troy: It all depends on the application but if, you know, it’s a church setting where you’d not necessarily have a lot of movement going on, you just want good clean light, to be able to move up and down at the appropriate times, a tablet is perfectly reasonable for the application. So let’s talk about the very smallest venues. Where you’ve got to put it somewhere, it’s got some faders, buttons on it, and you make lights happen with it, but today our options are a lot more diverse. So at the end of the day, when I think about a console a console used to mean some specialized piece of lighting board that’s a physical thing. Main Segment (0:12) Choosing a Console For Different Venue Sizes David: What I wanted highlight today is some different options and what people might head for in different size venues. Welcome to the Learn Stage Lighting Podcast and today we’re discussing three types of console setups that will work for any size venue.